This is part of the first footage I did in a day with snow in the Cemetery of Farnham. I thought the snow could give a more romantic atmosphere to the cemetery, and it did.
The Cremaster Cycle is a series of five feature-length films, together with related sculptures, photographs, drawings, and artist's books, created by American visual artist and filmmaker Matthew Barney . The Cremaster Cycle was made over a period of eight years (1994–2002) and culminated in a major museum exhibition organized by Nancy Spector of the Solomon R. Guggenheim Museum in New York City, which traveled to the Museum Ludwig in Cologne and the Musee d'art Moderne in Paris from 2002-03. Barney's longtime collaborator Jonathan Bepler composed and arranged the soundtracks for the films. Guggenheim Museum curator Nancy Spector has described the Cremaster cycle (1994–2002) as "a self-enclosed aesthetic system." The cycle includes the films as well as photographs, drawings, sculptures, and installations the artist produced in conjunction with each episode. Its conceptual departure point is the male cremaster muscle , the p...
Giovanni Battista Piranesi ( 4 October 1720 – 9 November 1778) was an Italian artist famous for his etchings of Rome and of fictitious and atmospheric "prisons" ( Le Carceri d'Invenzione ). The Prisons ( Carceri d'invenzione or 'Imaginary Prisons'), is a series of 16 prints produced in first and second states that show enormous subterranean vaults with stairs and mighty machines. These images influenced Romanticism and Surrealism . While the Vedutisti (or "view makers") such as Canaletto and Bellotto , more often reveled in the beauty of the sunlit place, in Piranesi this vision takes on what from a modern perspective could be called a Kafkaesque distortion, seemingly erecting fantastic labyrinthine structures, epic in volume. They are capricci , whimsical aggregates of monumental architecture and ruin. The series was started in 1745. The first state prints were published in 1750 and consisted of 14 etchings, unt...
There are so many contrasts in modern society: people from two sides of the world can be connected easily through social media, but we are not communicating with our neighbors any more; we can know how a place far from us looks like by searching videos and images, however, we will have to use Google map to find a place very close to us; we invent very advanced camera in order to capture the details of the world to the most authenticity, but meanwhile we use Photoshop, beauty modes to conceal our original and natural appearance...Is everything working for their initial purpose, or completely diverting to the opposite? There is no certainty in answering this question. I personally feel that we are living with increasing confusion. On the one hand, convenience brought by high technology to our life massively broadened the temporal and spatial realm that we can reach. But on the other hand, we are locked into our daily routine, required to follow our schedule with punctuality, subject to a...
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